Congratulations Terry O'Neill!

The Paragon Gallery is thrilled to note that Terry O'Neill has been appointed a CBE (Commander of the Order of the British Empire) for his services to photography in the Queen's Birthday Honours List. 

One of the world’s most respected photographers with work held in public and private collections the world over, O’Neill has been at the frontline of fame for over six decades, working with legends of screen and stage, presidents, prime ministers and royalty, icons of rock and some of the biggest names in fashion. No other living photographer has captured such a broad span of fame and excellence and we are enormously privileged to represent his work.

“It’s a huge honour and I’m incredibly humbled by it. It’s a real recognition for the art of photography as well. This isn’t just for me of course, it’s for everyone who has helped me along the way. Thank you, from the bottom of my heart.” Terry O'Neill

Congratulations Terry O’Neill CBE on this wonderful honour!


Rod Nelson selected for the Royal Academy Summer Exhibition

As huge fans of Rod Nelson and his sublime woodcuts, we at The Paragon Gallery are delighted to report that his new print “Flow Surface” has been selected for inclusion in this year’s prestigious Summer Exhibition at the Royal Academy of Arts in London.

Running from 10th June - 12th August, the Exhibition has been held without interruption since 1769 and this is Rod’s second consecutive year of inclusion. Fear not though if you don’t fancy the journey to London; we’re already planning a stunning retrospective of Rod’s fabulous work in Cheltenham for November. Watch this space!


Paul Oz: Ayrton Senna 25th Anniversary Bronze Unveiled

"Paul Oz." Bywords for energy, excitement and style. We're big fans of his in the Paragon Gallery and are thrilled to announce the imminent arrival in Cheltenham of something very special indeed. Let us bring you up to speed...

Ayrton Senna, the greatest Formula One driver who ever lived, immortalised in a series of spectacular statues by one of the greatest artists working today. 160kg of raw bronze and eight months of relentless toil at the very edge of what is technically possible have gone into the creation of this sensational homage to the great man, who left us 25 years ago this May. 

Set in the pose of screaming flat out through one of F1's most hair-raising corners, Oz has captured the daring philosophy of Senna as he himself described it: "If you take away Eau Rouge, you take away the reason why I do this." Left - right - uphill, accelerating hard, back end trying to kick out; Oz has taken static metal and brought it alive. He says: "It's a position alien to most, and even many F1 fans don't appreciate how extreme it is, even back in the 90s, although more so now. If there's one thing I am happiest about with this statue it is the dynamic and balance of the position". 

Cast in three sizes, from full-size to table-top, this fabulous sculpture will be joining us in April for the opening of the Fresh: Art Fair and we can't wait! 


A Night to Remember with Sir Peter Blake

If you managed to make it to the private view for our Peter Blake show, you might have been a little surprised and entirely delighted to meet the man himself who joined us for the launch of the show. It was truly an honour to host Sir Peter for the evening alongside some of the highlights of the last ten years of his printmaking career. Not only was Sir Peter present, but we were also joined by the dazzling CCA Art Bus, displaying Blake’s Replay series and attracting much attention.

Peter’s work remains on display in the gallery and a more extensive collection of work is available to order from his page on our website.

Sir Peter with the Gallery Team

Sir Peter with the Gallery Team

The CCA Art Bus

The CCA Art Bus

Artist Interview: Jim Starr

Q. What is your creative process? What inspires you? 

A.Travelling and Expeditions to Pakistan, Montana (USA) Svalbard (Arctic Norway) Lesotho (South Africa) and Iceland. I have always tried to make art on the move - drawing, painting…and I take hundreds of photographs.

Whilst at University in London I was looking at the work of Robert Rauschenberg and lots of other painter/printmakers such as Jim Dine, Jasper Johns and Richard Hamilton and I was beginning to experiment with printmaking. I found that by working with screen-printing I could combine all these media. I was also looking at a lot of contemporary illustrators and graphic designers such as Dave McKean, Vaughan Oliver and David Carson.

At the graduation show I was taken on and represented by Debut Art (at the Coningsby Gallery) in London and I worked as an illustrator for a while. On moving to Bristol I developed a screen-printing studio and exhibited in bars, restaurants, hotels and galleries. At about this time I moved away from illustration to focus on my own creative ideas, original paintings and print editions. It was an exciting time as the Street Art movement was really beginning to blow up. In summary I can find inspiration in any subject matter: American and British pop art, old movie posters and vintage comics for example. Later on I became interested in mythology and history. Portraiture has appeared at times and recently I have been looking at landscape and natural history themes.

Q. You don’t seem to be limited to what techniques and materials you use; please tell us about that. What made you go into screen-printing?

A.Versatility - You can paint with a drawing and 'print' with paint and a photograph! You can use hard or soft edged colour and imagery... I use all the traditional tools associated with making artworks…

I love drawing (but don't practice enough). I create collaged scrapbooks and take hundreds of photographs. I have had my work animated once which was very interesting. I can screen-print onto anything that is flat. So that obviously includes paper, canvas, material such as silk and denim - plastic, wood and even surfboards! I love texture and bright colour. With a screen printed image you can lay down very subtle muted colour (almost like water colour) or big fat slabs of bright, pure can work in layers too.

A screen print can be very stripped-back and elegant or multi-layered. A print that I produced for Formula One management back in 2003 had forty separate layers of ink.

Q. Do you have a favourite subject matter?

A.Given time and space I can get interested in anything. The best commission I have worked on was based on the immediate surroundings and vicinity of the River Thames at Hammersmith. I went to London for a few days and spent time soaking up the area. The project was very exciting but the reference sketches and photographs that I brought back were pretty terrible. The Thames was grey and muddy and the bridge was a dull green. I took a lot of photos and started 'sketching' in Photoshop. This process took about a month and there was an initial struggle to dig out some usable imagery. The brief and colour palette were pretty strict. After about eight months we had some great work though…the final eight canvases produced were a real departure from my usual (previous) way of working and helped lay the groundwork for my solo show in 2015 and all other work since.

More recently I have gone back to painting birds and wildlife.

Q. “A Passion for Print” is a retrospective exhibition showing your work from your 20 years as an artist. How do you feel your work has evolved over that time?

 A.My work has definitely become looser and more painterly. From 1998 to 2008 my prints were heavily inspired by pop art using flat patches of bright colour contrasting with areas of sharper printed imagery. From 2008 onwards I started to work on bigger supports and canvases using household paints, rollers and spray cans, which coincided with me moving away from illustration and commercial printing onto more self-initiated themes…

My palette became softer and more subtle and the screen-printed elements of my work became more experimental and less reliant on 'found' imagery. Working directly with close friends as models I embarked on a series of portraits, which were exhibited in 2012. These newer paintings have a looser and more luxurious application of paint, relying on drips and splatters and 'happy accidents'. The final image is a composite of abstract painting and stretched and distorted photography. Each layer of paint and/or print and mark making will go through a process of destruction, addition and editing until a final outcome is achieved (often by chance). More recently I have gone back to traditional drawing and painting - having the work photographed then printing from the resulting images.

Q. You were recently invited to exhibit with the famous Bvlgari Curiosity Shop in Rome in their “Serpentina Art Exhibition”, which is tremendously exciting. How was that for you?

A.It was a wonderful and unforgettable experience. Bvlgari flew me out to Rome and put me up in a lovely hotel for the private view and launch of their Serpent themed museum/show room. I was met at the Airport and then taken straight into the centre of Rome. Later in the evening I went up to the Bvlgari archives and had a private view of their jewellery and design archive.

I also met some of the other artists who were exhibiting, the cultural heritage curator and also the CEO of BVLGARI.  Looking back on the whole evening it was surreal…

There might be an on-going working relationship and more collaborations in the pipeline but we need to wait and see…

Q.  What is next for you?

A.Continuing to build my audience in the West Country and a solo show back in London - more work influenced by landscapes and the natural history in North Devon.  I really want to concentrate on drawing again and working up a suite of prints from those drawings. Perfecting my printmaking practise but also searching for the perfect print which will probably keep me busy for the rest of my days…

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Introducing | Rod Nelson, Woodblock Printmaker

We're very excited to introduce a new face to the Paragon team of artists. Rod Nelson, experienced and acclaimed printmaker, is debuting his first collection with the gallery this week.  We have four stunning woodblock prints of tranquil waterfalls, all uniquely created and authenticated.

They will be on display from Thursday 26th, coinciding with our private view for the David Foster "Icons" exhibition, 6-8pm.  We hope you'll be able to pop in and take a look at Rod's beautiful collection of work.

"Night Falls" Signed Limited Woodblock Print, Edition of 50

"Night Falls" Signed Limited Woodblock Print, Edition of 50

Artist Interview | Corine Ko

Ahead of our next exhibition at the gallery - Corine Ko "Serenity" - we talked to the artist about her work and what inspires her...

Q. Tell us a bit about your painting technique…when you start a painting, do you visualise how it will look when it’s finished or do you let the painting develop? 

A. I have no clear vision at the start as I purely let myself be guided by the materials and my paintbrush. I work with a succession of layers: plaster, ink, Japanese acrylic paper etc. After mixing all these materials, the architecture of the painting makes sense.

Q. What is your favourite subject to paint?

A. Photography and my painted creations are both equally important as I also practice photography and image manipulations. It is the characters that inspire me as well as the meaning of painting through its décor and history.

Q. How long do you typically work on a painting?  How do you know when it’s finished?

A. I work on several paintings at once as the preparation work takes the longest.  Once the preparation is finished, I use materials and techniques that dry quickly because I feel urgency in expressing myself so I need to work fast. Materials that require a long drying time are not for me! Knowing when a painting is finished is quite a miracle. It is entirely irrational in my case because I would not be able to explain why.

Q. Do you have a favourite artist?  Who or what inspires you?

A. My work is often compared to Gustav Klimt and even though I am much less decorative in my paintings, I am very flattered by the comparison. I admire Chagall, Soulage and Flemish paintings and I am often inspired by poetic literature and music.

Q.  There is sometimes a rope or string that the figure in your painting is holding; what does this signify?

A. The ropes and strings symbolise different ways of connection: connecting to yourself, to others, to nature and the universe. My women are anchored but at the same time aerial as they sail between the earth and the sky.

"Your Echo" Original Mixed Media on Canvas

"Your Echo" Original Mixed Media on Canvas

Artist Interview | Iryna Yermolova

With The Russian Evolution exhibition around the corner, we talked to highly acclaimed painter Iryna Yermolova to find out more about her work and inspiration...

Q. Talking firstly about your painting technique, when you start a painting, do you visualise how it will look when it’s finished or do you let the painting develop?   

A. I usually do small pen sketches; it helps to build composition and form. However, the expression on the big canvas could take me in a completely different direction. I think my best paintings are those where I cannot explain myself how I created them.

Q. Do you begin with a sketch or dive straight in with oils? 

A. It depends on my mood that day. I love doing small sketches and sometimes they could turn into cute art pieces. Sometimes I start work on a large canvas and after a few hours I already know that it isn't going to be good! When that happens I just turn my canvas upside-down and start a completely new painting! I also love the first brushstrokes on the pure white surface - I never know what to expect from it and it gives me an adrenaline buzz!

Q. What is your favourite subject to paint? 

A. I love working with people. But most of all I love challenges. I love to take myself outside my 'comfort zone' and start something that is very unusual for me. This is why I did a series of paintings of dogs and chickens.

Q. How long do you typically work on a painting?  Do you come back to it again and again and how do you know when it’s finished? 

A. I could start the work at 9am and finish it at 1pm. I call these works 'perfect'! I love it when the canvas can 'breathe'. The more I work on a canvas, the less I can expect a good result. This is why every month I throw away between ten and twenty canvases which will never become an artwork.

Q. Do you have a favourite artist? 

A. Schiele, Degas, Picasso, Chagall - these are my masters. But I love most of the impressionists and I’m crazy about expressionism and abstraction.

 Q.  You’ve been exhibiting your paintings with the Paragon Gallery for five years now, how do you feel your work has evolved over that time? 

A. The Paragon Gallery is a heaven for artists and art lovers. They are experimenters with an excellent taste in art. They are always welcoming my new painting ideas. To be an artist it is very important for me not to feel boundaries and stay creative. I think the gallery made me feel more confident and professional as an artist. 

Q. You’ve achieved many accolades over recent years, including repeated selection by the Royal Institute of Oil Painters for their Annual Exhibition; what’s next for you? 

A. My plans are work, work and work. I have many unrealised ideas about future collections and projects. I will again apply to ROI, the Summer Exhibition and many other competitions this year. However, my main achievement is my collectors, people who appreciate my art so much that they open their homes to my paintings. This is so inspiring!

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Introducing Alice Cescatti and her Masterpieces of Light

We are proud to announce the arrival of a new artist at the Paragon Gallery.  Alice Cescatti's captivating originals are the very essence of light.  Her unique technique involves a rarely seen water-gilding process, building up many layers of sanded gesso and clay on wooden panels.  She then floats individual silver or gold leaves onto the clay surface using a specialist method dating back to Egyptian tomb paintings and reliefs from the 23rd century BC. The gold or silver leaf surface is then hand burnished with an agate stone to enhance the quality of the metal as a light source.

These pieces really must be seen in the flesh to appreciate the full impact of the metal leaf.  Her work can be seen in the gallery now, with one piece currently hanging in the window.  We would love to hear what you think.  You can read more about Alice on her page...

"Mourning" Acid Etched Water Gilded Silver Leaf on Panel

"Mourning" Acid Etched Water Gilded Silver Leaf on Panel

Cotswold Hare Trail Gala Auction | Friday 6th October at The Centaur

We're nearly at the end of the Cotswold Hare Trail and what a delight it has been!  We've had a huge number of people viewing our beautiful Bluebell on the hunt for hares and very soon she'll be off for a polish in readiness to be auctioned off for the National Star College.

The gala auction will be taking place at The Centaur, Cheltenham Racecourse on Friday 6th October from 6pm - 11pm.  Tickets to attend are £90 per head and you will be wined and dined and have the opportunity to bid on your favourite hare.  Let us know if you would like more information.

We'd like to say a special thank you to our star artist Georgie Woolridge for doing such a brilliant job painting Bluebell. It proves that no project is too big for this hugely talented up and coming artist.


Cotswold Hare Trail & Georgie Woolridge

We know our artists love a challenge - and what better challenge than designing and painting a giant hare!  Star local artist Georgie Woolridge has been nominated by the Paragon Gallery to paint a 5ft by 2ft hare sculpture which will be part of the 2017 Cotswold Hare Trail.  The hare will be on display either in the gallery or on the pavement outside from March 25th.  You can keep up with Georgie's progress on our Facebook page.

The image below shows the hare’s progress as of early February; we think he/she is going to be a beauty!  We hope you can come and visit him/her from the end of March onwards and perhaps follow the trail around the Cotswolds to find all of the other hares.

This year's nominated charity is National Star.  The hares will be auctioned in October with proceeds going to the College, helping them to continue their amazing work.

Huge Accolade for Spanish Painter Raquel Alvarez

Hugely talented Spanish painter Raquel Alvarez has another accolade to her name.  This summer, the Society of Women Artists have awarded her with the President's and Vice President's Choice Award for the best work of art in the Society's Annual Exhibition.  Congratulations Raquel!

Originally from Barcelona, Raquel is based in Stroud and joined the Paragon Gallery as a guest artist for our Cotswold Artists exhibition in April 2016.  We immediately asked her to become a permanent artist with us following the success of the show and the obvious quality of her work. We will be taking Raquel's work to the Affordable Art Fair in Battersea in October this year.

Gillie & Marc's Paparazzi Dogs go Celeb-Hunting in NYC

Gillie & Marc's Paparazzi Dog sculptures have gone from being an art experiment about photographing celebrities to sought-after celebrities in their own right.  After appearing in Melbourne, Sydney, Singapore, Beijing and Shanghai, the four Dogmen will be sniffing out the rich and famous in Brooklyn's buzzing art district, Dumbo.

Gillie & Marc named the dogs Charles, William, Harry & Tom after the Royal Family.  The artists wanted us to reflect on the tragic death of Princess Diana, intentionally using a group of dogs to expose the pack mentality of the media and how we hunt down celebrities to get that dangerous behind-the-scenes glimpse into their private lives.

Gillie & Marc have worked side by side for 25 years, painting, sculpting and photographing with the goal of creating joyful and thought provoking work that celebrates unlikely unions while inspiring us to re-examine the status quo.  Their work is held in private and public collections all over the world.  A selection of their (somewhat smaller) sculptures can be seen and purchased from the gallery here.  We can also order from their website. Dogman and Rabbitgirl love to fly!

Patrick Cornée | Our Latest French Connection

We are very excited to introduce a new artist to the gallery! Patrick Cornee is a French painter who lives and works in Mougins, France. He works with oils on canvas, seeking to symbolise femininity, longing and love, inspired by Pop-Art and his own childhood. 

Do pop in and have a look! If you are unable to make it into the gallery, Patrick’s works are also featured on our website...

Christa Hillekamp in International Artist Magazine

We would like to congratulate one of our star artists Christa Hillekamp for her feature in the February/March 2016 edition of International Artist Magazine. In the ten-page spread she discusses her work, what inspires her and the process that goes into creating her majestic landscapes.  

Christa (a German-born artist living in Spain) is one of our most popular resident artists within the gallery, as well as achieving great success at various art fairs. We are currently the only UK gallery that exhibits her work.

Christa's article can be found in the International Artist Magazines February/March 2016 edition (Pages 118 - 127), which can be previewed online using the link below:

We will be receiving new works from Christa in early Spring 2016. Her existing work can be found on our website using the link below:

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Iryna Yermolova ROI Selection Success

We are very proud to announce that one of our most talented painters, Iryna Yermolova, has been selected yet again to exhibit at this year’s Royal Institute of Oil Painters Annual Exhibition at the Mall Galleries in London.  This is the third year in a row that Iryna has been accepted and I think we can all agree it is well deserved.

Iryna is one of our resident artists here in Cheltenham; we hang her work all year round and she's featured in our annual exhibition of Russian artists - The Russian Evolution - which will take place in February 2016.

The ROI was founded in 1882 and is dedicated to celebrating, informing and assisting artists who practice the art of oil painting, and through its awards they actively encourage and support talented young painters. 

Georgie Woolridge "Birds" Colouring Book

Our star local artist Georgie Woolridge has had a beautiful adult colouring book published by Modern Books.  The book "Birds" has been released from the publisher and is available to purchase from the gallery, Amazon, Waterstones and other book retailers around the country.  

Georgie's book is on display here and in stock at the moment, although we have limited copies.  The first edition has already sold out and is due to be reprinted in November.  Adult colouring books are heralded as the new stress-buster for all ages - the perfect gift for Christmas!

Gilles Bourlet and Lys Flowerday join The Paragon Gallery

We are delighted to introduce husband and wife Gilles Bourlet and Lys Flowerday, and welcome them to our creative team.  Gilles, originally from Saint Just-en-Chaussee in France, designs and creates imaginative luminous sculptures, each with their own character and story.  Lys, from Lincolnshire, is a painter with a difference; using unique techniques, hand-drawn images are subtly blended and woven with discarded paper on antique book covers, creating fairy-tale like scenes.  Works by both artists are on our website and on display in the gallery. 

Gille Bourlet "Esprit de Corps" Luminous Sculpture

Gille Bourlet "Esprit de Corps" Luminous Sculpture

Lys Flowerday "Into The Great Pearl" Original Mixed Media

Lys Flowerday "Into The Great Pearl" Original Mixed Media

Corinne Ko - A Wonderful Addition to the Paragon Gallery from France

We are incredibly lucky to introduce a new artist to the gallery! Corine Ko's whimsical works are beautiful demonstrations of mixed media on canvas, comprised of paint and photographs. Corine’s works are now up on the walls so please come and have a look!  

All her works are now featured on our website if you are unable to pop in...