Lithographic poster, 1959
Unsigned
Paper size: 76 × 51cm
£1500 Framed
Original lithographic poster by Mourlot, after a painting by Picasso.

Linocut, 1972
Unsigned
Image size: 52 × 38cm
£1450 Framed
Original linocut poster. Printed by Arnéra for an exhibition of linocuts in Vallauris.

Lithograph, 1957
Unsigned
Image size: 101 × 68cm
£3250 Framed
Original lithographic poster by Mourlot, for the French Government’s tourist board. Lithograph after a painting by Picasso.

Etching and Aquatint, 1968
Suite: La Célestine
Unsigned
Edition of 400
Image size: 11.9 × 5.9cm
£1750 Framed
The etchings made for La Célestine are part of the famous '347' series. Between 16th March and 5th October 1968, Picasso worked on the plates almost daily, using various techniques (sometimes on the same plate); he was impatient to see the impression as soon as it was pulled by Aldo and Piero Crommelynck, who had installed their atelier at Mougins.

Etching and Aquatint, 1968
Suite: La Célestine
Unsigned
Edition of 400
Image size: 8.4 × 6cm
£1750 Framed
The etchings made for La Célestine are part of the famous '347' series. Between 16th March and 5th October 1968, Picasso worked on the plates almost daily, using various techniques (sometimes on the same plate); he was impatient to see the impression as soon as it was pulled by Aldo and Piero Crommelynck, who had installed their atelier at Mougins.

Etching and Aquatint, 1968
Suite: La Célestine
Unsigned
Edition of 400
Image size: 11.9 × 6cm
£1750 Framed
The etchings made for La Célestine are part of the famous '347' series. Between 16th March and 5th October 1968, Picasso worked on the plates almost daily, using various techniques (sometimes on the same plate); he was impatient to see the impression as soon as it was pulled by Aldo and Piero Crommelynck, who had installed their atelier at Mougins.

Engraving, 1949
Suite: Carmen
Unsigned
Edition of 320
Image size: 25 × 19cm
£1450 Framed
The story of Carmen, which became popular through Georges Bizet's opera (1875), evoked in Picasso associations with Spain and the corrida. He made these engravings between May and November 1948.

Engraving, 1949
Suite: Carmen
Unsigned
Edition of 320
Image size: 20.5 × 15cm
£1250 Framed
The story of Carmen, which became popular through Georges Bizet's opera (1875), evoked in Picasso associations with Spain and the corrida. He made these engravings between May and November 1948.

Engraving, 1949
Suite: Carmen
Unsigned
Edition of 320
Image size: 23.5 × 16cm
£1250 Framed
The story of Carmen, which became popular through Georges Bizet's opera (1875), evoked in Picasso associations with Spain and the corrida. He made these engravings between May and November 1948.

Engraving, 1949
Suite: Carmen
Unsigned
Edition of 320
Image size: 21.2 × 17cm
£1250 Framed
The story of Carmen, which became popular through Georges Bizet's opera (1875), evoked in Picasso associations with Spain and the corrida. He made these engravings between May and November 1948.

Etching, 1969
Suite: El Entierro Del Conde De Orgaz
Unsigned
Edition of 263
Paper size: 21.8 × 32cm
£1950 Framed
The title bears reference to a painting by El Greco, an artist very much admired by Picasso. The etchings in this suite combine circus scenes and allegorical images infused with eroticism, echoing Picasso's life and youth in Andalucia.

Etching, 1969
Suite: El Entierro Del Conde De Orgaz
Unsigned
Edition of 263
Paper size: 21.8 × 32cm
£1950 Framed
The title bears reference to a painting by El Greco, an artist very much admired by Picasso. The etchings in this suite combine circus scenes and allegorical images infused with eroticism, echoing Picasso's life and youth in Andalucia.