Engraving, 1954
Suite: Les Cavaliers D’Ombre
Signed in Plate
Edition of 150
Paper size: 22.5 × 32.5cm
£2750 Framed
Signed in the plate original engraving on copper.

Lithograph, 1979-82
Suite: Dans l’Atelier de Picasso
Unsigned
Edition of 500
Paper size: 49.5 × 41cm
£2250 Framed
Lithograph from the Pablo Picasso oil of the same name which was painted in 1960. Printed in an edition of 500 from the Collection of Marina Picasso, signed by the granddaughter of Picasso. Printed by Laurent Marcel Salinas and published by Jackie Fine Art in collaboration with Marina Picasso.

Collotype, 1955-56
Suite: Californie
Unsigned
Edition of 1500
Paper size: 42 × 26.5cm
£1245 Framed
Collotype after one of Picasso's sketchbook drawings executed between November 1st 1955 and January 14th 1956. Printed by Imprimerie Duval, Paris. Published by Editions Cercle d'Art. Edition of 1500, split between German, Italian and English editions, with this coming from the German edition of 500.

Collotype, 1955-56
Suite: Californie
Unsigned
Edition of 1500
Paper size: 42 × 26.5cm
£1245 Framed
Collotype after one of Picasso's sketchbook drawings executed between November 1st 1955 and January 14th 1956. Printed by Imprimerie Duval, Paris. Published by Editions Cercle d'Art. Edition of 1500, split between German, Italian and English editions, with this coming from the German edition of 500.

Collotype, 1955-56
Suite: Californie
Unsigned
Edition of 1500
Paper size: 42 × 26.5cm
£1245 Framed
Collotype after one of Picasso's sketchbook drawings executed between November 1st 1955 and January 14th 1956. Printed by Imprimerie Duval, Paris. Published by Editions Cercle d'Art. Edition of 1500, split between German, Italian and English editions, with this coming from the German edition of 500.

Collotype, 1955-56
Suite: Californie
Unsigned
Edition of 1500
Paper size: 42 × 26.5cm
£1245 Framed
Collotype after one of Picasso's sketchbook drawings executed between November 1st 1955 and January 14th 1956. Printed by Imprimerie Duval, Paris.Published by Editions Cercle d'Art.
Edition of 1500, split between German, Italian and English editions, with this coming from the German edition of 500.

Etching, 1948
Suite: Vingt Poèmes Luis de Góngora y Argote
Unsigned
Edition of 10
Paper size: 22 × 20.5cm
£3000 Framed
From the scarce edition de tete of 10 sets only, printed on chine, with additional remarques.

Lithograph, 1957
Suite: Dans l’Atelier de Picasso
Unsigned
Edition of 275
Paper size: 24 × 27cm
£1950 Framed
Printed by Mourlot Frères, Paris, on Arches wove.

Ground Aquatint, Etching and Drypoint, 1942
Suite: Buffon’s Histoire Naturelle
Unsigned
Edition of 36
Paper size: 20.5 × 27cm
£1950 Framed
This is from the rare de tête edition of 36 copies only. Published by Martin Fabiani in Paris in 1942 and printed by Roger Lacourière. Picasso's Buffon is one of the greatest bestiaries of the twentieth century. Eager to test out the new technique of sugar-lift aquatint, Picasso threw himself into the project, completing an etching a day. The spontaneity of the plates is attested by the freehand margins, the rapidly drawn line and the use of fingerprints for textural variety.

Linocut, 1962
Suite: Linogravures
Unsigned
Paper size: 32.5 × 27cm
£1150 Framed
Between 1958 and 1961 Picasso made many linocuts, a process that he found hugely stimulating.First issued in signed editions of 50 by Galerie Louise Leiris, many of which now sell at between £8,000 and £80,000 each. Picasso invented the ‘reduction’ method, progressively cutting the same linoblock for each new colour, making it impossible to take any further prints from the original block.In 1962, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the prints on offer here were made.

Linocut, 1962
Suite: Linogravures
Unsigned
Paper size: 32.5 × 27cm
£850 Framed
Between 1958 and 1961 Picasso made many linocuts, a process that he found hugely stimulating.First issued in signed editions of 50 by Galerie Louise Leiris, many of which now sell at between £8,000 and £80,000 each. Picasso invented the ‘reduction’ method, progressively cutting the same linoblock for each new colour, making it impossible to take any further prints from the original block.In 1962, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the prints on offer here were made.

Pochoir over Offset Lithograph, 1946
Signed in Plate
Edition of 500
Paper size: 25.5 × 38.5cm
£1950 Framed
Pochoir (hand colouring through stencils) over offset lithograph. Signed and dated in plate. Published in 1946 by Albert Carman.

Lithograph, 1979 - 82
Unsigned
Edition: 500
Paper size: 51 × 40cm
£2250 Framed
Lithograph from Pablo Picasso oil of the same name which was painted in 1938. Printed in an edition of 500 from the Collection of Marina Picasso, signed by the granddaughter of Picasso. Printed by Laurent Marcel Salinas and published by Jackie Fine Art in collaboration with Marina Picasso.

Offset Lithograph, 1957
Suite: Toros y Toreros
Unsigned
Edition: 150
Paper size: 37 × 27cm
£850 Framed
A four colour lithographic reproduction in an edition of 150 copies only.

Offset Lithograph, 1957
Suite: Toros y Toreros
Unsigned
Edition: 150
Paper size: 37 × 27cm
£850 Framed
A four colour lithographic reproduction in an edition of 150 copies only.