The Stag and the Vine
Etching, 1952
Suite: Les Fables de la Fontaine
Signed in Plate
Edition of 200
Paper size: 23.7 × 29cm
£2950 Framed
The etchings for La Fontaine’s Fables were commissioned by the famous art dealer Ambroise Vollard and his choice of the ‘romantic’ artist Chagall to illustrate the ‘classical’ French masterpiece created a considerable furore at the time, even being debated in the Chamber of Deputies. Vollard answered the question of Why Chagall? by saying, simply because his aesthetic seems to me in a certain sense akin to La Fontaine’s, at once sound and delicate, realistic and fantastic.
Those offered here are from one of just 85 sets which were hand painted by Chagall himself and most are signed in the plate. They are considered one of the great suites of the 20th century.Each print will be accompanied by a copy of the justification page, signed by Chagall.
Etching, 1952
Suite: Les Fables de la Fontaine
Signed in Plate
Edition of 200
Paper size: 23.7 × 29cm
£2950 Framed
The etchings for La Fontaine’s Fables were commissioned by the famous art dealer Ambroise Vollard and his choice of the ‘romantic’ artist Chagall to illustrate the ‘classical’ French masterpiece created a considerable furore at the time, even being debated in the Chamber of Deputies. Vollard answered the question of Why Chagall? by saying, simply because his aesthetic seems to me in a certain sense akin to La Fontaine’s, at once sound and delicate, realistic and fantastic.
Those offered here are from one of just 85 sets which were hand painted by Chagall himself and most are signed in the plate. They are considered one of the great suites of the 20th century.Each print will be accompanied by a copy of the justification page, signed by Chagall.
Etching, 1952
Suite: Les Fables de la Fontaine
Signed in Plate
Edition of 200
Paper size: 23.7 × 29cm
£2950 Framed
The etchings for La Fontaine’s Fables were commissioned by the famous art dealer Ambroise Vollard and his choice of the ‘romantic’ artist Chagall to illustrate the ‘classical’ French masterpiece created a considerable furore at the time, even being debated in the Chamber of Deputies. Vollard answered the question of Why Chagall? by saying, simply because his aesthetic seems to me in a certain sense akin to La Fontaine’s, at once sound and delicate, realistic and fantastic.
Those offered here are from one of just 85 sets which were hand painted by Chagall himself and most are signed in the plate. They are considered one of the great suites of the 20th century.Each print will be accompanied by a copy of the justification page, signed by Chagall.